Acceleration
TL;DW: Acceleration limiter tames edge, leaves brightness.
This is a nice little plugin. :)
As requested, I’ve made a dedicated acceleration limiter, like the one in ToVinyl4. You don’t have to mess with Groove Wear, or highpass anything: as a result, this ends up being the ‘high end’ acceleration limiter, mastering grade and useful in situations where ToVinyl might be overkill (ToVinyl was made in an era where I still had to make ‘amazing marketable plugins with lots of features so people would pay $50 quickly before it got all pirated etc’)
Ah, I remember those days ;P
But now, it’s different because Acceleration is free! AU, Mac and PC VST (stay tuned for a surprise on that front) and if you can’t pay, go ahead and use it anyway. If you can, please do because I think the usefulness of me doing this work will become increasingly obvious, and the usefulness of me opensourcing plugin code has also become increasingly obvious. And it’s brought you Acceleration, here and now.
The reason to be excited about that is, Acceleration’s not a simple filter. It pretty much targets exactly the digital behavior that creates Gibb effect overshoots (the reason you often have to pad heavily limited material down to stop it being crackly and glare-y) and would probably work very well as literally an acceleration limiter for record cutting heads. But, in a largely digital world, it might be even more useful because you can feed it any old ITB mix, any weird edgy source material, and it’ll clean up the nasty digital brightness while not sounding like it’s doing anything. Check the video (it should be relatively obvious if you’ve got half decent tweeters) and try it out. The key is to not try and get the apparent volume of the highs to be less: instead, you’re going after the character, or the presentation. If highs seem to be coming forward with nasty spikey extra energy, Acceleration will fix that tonal problem without altering the basic mix balance.
This work is supported by my Patreon, and again I expect to deliver a nice surprise quite soon that will further illustrate why keeping me on the job is nice. I hope you enjoy Acceleration as much as I do. :)
Excuse me, Chris, so is Acceleration any different from what we get in ToVinyl4 with all the other knobs turned down (which should shut down actually unused processing), right? Sorry if stupid.
Thank You!
M.
Very nice sound!
Sir Chris, out of curiosity, may I ask You how close or far are Your Space reverbs? And do You have any plans for a spiced up twisted spaced out delay-echo effect?
Thank You!
Great plugin, Chris!
This one even gives my Infundibulum a run for it’s money dealing with slight sibilance issues on program material, and that’s saying something! Always glad to have another excellent and unbelievably understated tool at my disposal.
The name is pretty esoteric (how many lathe cutters are online looking at plugins?). Hopefully more engineers will actually take a look at this one and not just assume it’s got something to do with pitch shifting hah!
[…] https://www.airwindows.com/acceleration/ […]
Hi Chris, thanks for the amazing plugins! And the in depth teachings!
If your interested I think it would be great to see a video of you taming high frequencies with a combination of the two plugins, slew2 and acceleration together.
Seems like a perfect match
Thanks!!
awesome as always! amazing quality!