Capacitor
TL:DW; Filter.
Sometimes half the fun is just inventing :)
People say all filter plugins are just biquads with different GUIs. It’s not true… or at least it’s not true at Airwindows. (actually I have to see what I can get out of biquads: I generally don’t even use ’em at all)
This is a new filter. When I say new, I mean that you don’t have it. I can demonstrate that, because due to the way it works it has a little characteristic response quirk at 1/3 the sampling rate: nothing that hurts the sound, just an odd little notch under some circumstances.
Because it’s a typically Airwindowsy, not-normal EQ algorithm, nobody has tried it, and because of the little quirk, if anybody did try it they knew they had to reject it, because it wasn’t perfect. It had a quirk! And even if they experimented, they probably weren’t that invested in concepts like the sequence of operations on stuff that, in theory, could be done in any order. Why care so much about the implementation details of an idea that had a quirk anyhow and was therefore useless?
More fools they :)
Because musically, this filter has tone for DAYS.
There’s almost an analog-synth-like effect to it: though it doesn’t accentuate the rolloff point, it behaves almost like a DJ ‘isolator’ in the obviousness of its filtering. It has a highpass, a lowpass, and dry/wet, and the high and lowpass are melded into each other as part of the algorithm to get the sound more fluid. It’s also got new experiments in rejecting zipper noise and clicks, because I’m figuring people will want to automate this one. But, even though it’ll work for crazy effects and ‘isolator’ madness, the fullness of the tone will also let you use it in mastering: if you need to tighten bass or roll off just a hint of brightness, you’ll pay no penalty in the body of the music. And the dry/wet is there to let you treat it as a shelf… or to create a presence boost by isolating an area of interest, and then leaving it mostly dry with a hint of the clarified zone.
I’m thrilled with this filter, and nobody else has it: nobody else would be allowed to do this one, because it has a quirk at 1/3 the sampling rate, and typical commercial developers are not allowed DSP quirks. But, since I’m supported by Patreon, I am. I’m developing a whole revised concept of what DSP in 2017 can mean, and I think you can hear what I’m up to in the plugins when you try them. Some might prefer the rather cumbersome methods and DSP of the commercial plugin industry, and if you like that, don’t let me stop you.
But if you like the stuff I started to get into when I brought out PurestDrive and that line of plugins, before Airwindows Patreon was even a thing, then it’s your lucky day. I’ve turned it into an analog-like filter, and it’s free. Have fun using it :)
Won’t get to play around with it until tomorrow, but the vieo reminds me a bit of the old Kron-Hite 3202 lab bench filter I rescued ages ago and still use because it manages to be very transparent and very extreme at the same time, in a different way than any filters designed specifically for audio that I’ve tried.
Great work as usual!
Sweet one! Half exciter, half bandpass, and half something else.
Genius!
Great for precision EQing p can really cut off excess annoying highs this way…
Many years ago I Mastered a couple of records in Studio B at Paisley Park. The coolest piece in the chain was this Avalon EQ. This is around 1994, so we’re talking way before all of the mainstream Avolon stuff they were shipping in the 2000s. I’ve never seen another one of these ever again, and you can’t even get images of it off the googles. But it had a blend or mix knob on it. Essentially a Dry/Wet on a physical hardware EQ. Was incredibly useful for mastering and it must be hard to do because I can count on one hand how many times i’ve seen a blend control on an EQ. Anyway. love this one. It’ll come in handy.
@Bob DeMaa
Which model exactly?
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NICE
ok