CStrip
TL;DW: Airwindows channel strip.
Sometimes, Airwindows dabbles with what you might call ‘the normal’ plugins: for instance, CStrip. I was asked to make a channel strip, and while I usually prefer to do things in a more modular sense, it seemed like a fine idea, and so now there’s an Airwindows channel strip, with sort of the usual things you might find there.
Sort of. ;)
It’s never quite that simple with Airwindows. So, you’ve got a three band EQ, but if you boost the top you get traces of the ‘Energy’ plugin just to add some aggressiveness to the extreme highs for heavy boosts. You’ve got crossover frequencies, you’ve got highpass and lowpass, but the highpass and lowpass aren’t normal algorithms either: they’re designed for ‘trapping in’ already bandlimited sounds to get the most out of them. There’s a gate, but it’s an Airwindows gate where the release is designed to pull the audio back in the sound picture, not just volume-ramp it. There’s a time delay control that exists only to give the track a micro-delay relative to other tracks for groove purposes. And there’s the compressor… CStrip uses the ButterComp algorithm plus a speed control that lets you do odd things like increase the speed hugely. ButterComp compresses interleaved samples in Class AB, so that’s four independent compressors per channel. If you crank the speed under heavy compression you can get artifacts (for normal behavior, keep the speed a lot lower).
The whole idea with CStrip was to do the channel strip, but take it out into stranger realms where it can be used for various sonic destruction. It may not be the last of such plugins: some new stuff coming out is giving me ideas for other ‘combination’ plugins, especially ones where the algorithms can be interwoven to produce effects you literally couldn’t have out of discrete plugins. (one day, I’ll be open sourcing all of that and telling other plugin coders all about it)
CStrip also uses a technique I came to rely on, where if a component of the plugin isn’t being used (for instance, the lowpass and highpass when set to their extremes switch off) then it gets completely bypassed, and not even the math of the component is used: this is sort of like how ‘unity gain’ in code isn’t the same as ‘bypass’. (if you’re in floating point and you’re multiplying by 1.0, you’re also doing a math operation at a given exponent and this can wipe out floating point values at very different levels of detail)
But that’s getting too wonky: I hope you enjoy CStrip. All this is of course supported by Patreon, and though we’re not up to ‘open sourcing’ levels, or even ‘bonus plugin’ from the list for December, trust me that I’ll have some nice surprises for your holiday season anyway :)
Is any of this stuff currently open source at the moment? I am very interested in learning how you put your stuff together.
Is any of this stuff open source at the moment? I hope I don’t come off as greedy – I am just very interested in learning how you put your stuff together.
I have admired you for a number of years, during which I have learned a bit about ‘low level’ (read C / C++) dsp.
Apologies if the answer to this question is staring me in the face somewhere on this website or on the patreon.
*** Please ignore previous comments ***
I see what the plan is now. Please do not waste time responding to comments.
I look forward to examining the collection when it gets open-sourced.
Things i notice upon brief testing:
The high boost is absolutely luscious.
I appreciate that the 3-band EQ contour is always flat when the 3 dials are set identically, but otherwise it gives you really interesting, highly musical curves. I think it’s one of my favorite 3-band EQs already.
The gating is abrupt without being clicky, and L-R decoupled. Very cool.
It’s tricky to dial in the compressor, but that forces one to use ears more.
The lowpass appears to retain the extreme highs similar to your “lowpass” plugin, but with a steeper slope, allowing for very natural top-end softening (and only going down to 1k).
The highpass reduces overall energy a touch when cranked.
…and it only uses about 1% cpu on my system.
Thanks for another awesome tool!
Oh my God!! Amazing Plugin… 100 for Switzerland …
Just what I’ve been waiting for. You Rock, Chris.
I’ve just quit Patreon due to their recent fee change. I won’t pay a company that much to subscribe to this sort of payment scheme. It works out to give them way too much money for small donations (which are the lion’s share of what creators receive). I’ll gladly continue to pay you by Paypal directly using the “send money to friends and family” option, if you’ll accept it. But I won’t use Patreon.
First of all thank you for providing another great plugin.
It would be really useful to be able to bypass individual aspects of C-strip – such as EQ bands, compressor etc in order to quickly A/B.
Also I personally think that having EQ freqency adjustment next to the cut/boost for that frequency would be more user friendly.
Just my 10 cents as they say – hope that’s helpful.
Hey, Chris. I’ve tried using this on a wall of guitars, I put it on each guitar part, used the Compressor, EQ & Filters and just wow, I got them to blend easily in no time.
BTW, I haven’t had time to try but can I assign the conrols to a controller?
Thanks.
Unbelievably great SNARE Compressor, with the controls set to he right. Great snap, transient shaping, solidity. Thank You Chris from Airwindows.
[…] https://www.airwindows.com/cstrip-vst/ […]
Chris,
I just wanted to make sure to say thank you for this great plugin! As a developing audio engineer its extremely helpful to have a tool that allows my to get my mixes started purely based on sound and not meters. One feature I would find extremely useful would be a dry/wet control for the compressor. Right now if I want to A/B compare my compression settings I have to:
a) bypass the whole plugin (which includes the EQ) or
b) add a new instance of CStrip and only use the compressor.
If the compressor had a Dry/Wet control, I could use it to A/B compare the compression without interfering with the EQ settings.
Thank you for the great work, regardless if this feature gets implemented.
All the Best,
Tom
Hi Chris
love this plugin
Just out of interest what is the frequency of the centre of the mids?
Cheers
Mark