DubSub2
TL;DW: DubSub2 is the essence of the Airwindows head bump.
DubSub2 in Airwindows Consolidated under ‘Bass’ (CLAP, AU, VST3, LV2)
DubSub2.zip(505k) standalone(AU, VST2)
The final element for reinventing ToTape is in place, with DubSub2!
I’ve always used this one particular algorithm, both for ToTape and for various bass-emphasis plugins. It acts like a combination between an IIR filter and a saturation. And it’s got fantastic sound, but with a catch: it has to be controlled in the higher frequencies or it’ll sound growly and distorted if you push it, and it’s unstable.
That’s literal. I have to do stuff to control it or it will throw bass so hard that it sits around pushing DC. The algorithm has to be filtered because it’s unstable, it’ll constantly bring up deep bass no matter what. The sound of it is intrinsically tied to this behavior.
So, what if I tried the technique I use in Parametric, and set up some biquad filters as bandpasses, and then stack them (slightly staggered, for tone purposes) to get better rejection of unwanted DC energy? What could go wrong? Well… it’s tricky. If you do that, phase shifts will cause there to be a cancellation around the bandpass frequency. You’ll get notches, the placement depending on what your filter bandwidth is.
But hang on. Jack Endino’s got a webpage where he’s measured lots of real analog tape machines, showing the head bumps. And the thing is, on his measurements there’s consistently a notch there, too. It’s exactly an octave above the head bump, and that’s part of the sound.
So what’s the bandpass resonance, when you’re using two of them stacked, and then you want the notch produced by the phase shifting (already an unusual choice) to line up exactly an octave over the head bump resonance, so that your DubSub2 head bump will consistently behave like the real thing? You can set the head bump frequency to whatever you like (Jack finds that doubling the track width halves the head bump frequency, and of course going from 15 ips to 30 ips doubles the head bump frequency, and the notch stays exactly an octave higher). But the Q is what positions that notch. Since there is clearly no correct value for such a bizarre experiment, since super-shallow Q won’t work, since using Butterworth (0.7071) is slightly too tight… what’s the resonance number for the two stacked bandpasses?
The golden ratio.
…hope you enjoy DubSub2, and this is what will become the head bump for ToTape7 :)
Airwindows Consolidated Download
Most recent VCV Rack Module
download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download LinuxARMVSTs.zip for the Pi
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.
Thank you again, Chris! I am keen to see ToTape 7 of course, but this one is going to be useful immediately.
I am old enough to know about reel tape headbumps and still miss reel-reel quality for that reason. Now plugins inc. yours get pretty close though so it’s not too bad.
On a sort-of related note – samplers… there is/was almost a fantastic head-bump effect from the Emu Emax 2 (16bit with max 44k stereo sampling) and of course the Akai S900 and it’s friends.
Something about it I occasionally yearn for and chase in DAW processing, but of course there’s more going on with the coversion and so on – a sound effect missed since my Emax 2 finally died about 10 years ago.
I have some IR’s of other Emu and Akai samplers, but not this one – and anyhow, they aren’t totally convincing, and have no adjustable elements like your plugins.
It will remain a future dream release from the AirWindows workshop.
PS. the poster LeRoy seems to be in the wrong dimension.
Yeah, don’t need that foolishness :)