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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

Ed Is Dim

TL:DW; Mid/side conversion utility plugins.

EdIsDim

It’s always nice to expand one’s horizons! You don’t have to run the latest Logic to be able to use any plugin in mid/side mode… though you might need to do a little fiddling with settings.

EdIsDim comes in two plugs: first use MidSide to convert your stereo track into mid/side (on left and right channels). Then apply your processing (there’s a control with which you can balance the mid/side balance, which also means you can gain stage the M/S content into your plugin), then, go into EdIsDim (read it backwards) to convert back to stereo. The same control is present, and can reverse the gain staging you applied. Read More

Melt

TL:DW; Wobbly and weird!

Melt

As useful as utility plugins are, sometimes you just have to do something wobbly and weird. Here’s Melt!

To explain what it’s doing will be a little tricky. You can just download it and play with it, but if you want to know what’s under the hood, here goes.

Suppose you have a delay buffer. You can read ‘echoes’ out of the delay buffer. If you like, you can move them around, which changes their pitch.

What if you started reading at one point, and stopped at another? You’d get a delayed ‘moving average’, a series of samples combined. It would be duller, rolled-off.

If you took that section and moved IT, then you’d have a rolled-off, darker delay tap that changed pitch.

Now, what if you took all the start points and all the end points, and made them all wobble and sway around independently, so that the shifting delay taps also changed in tone color and volume even while they pitch-shifted around?

Well, that’s Melt. It’s pretty freaky, when cranked way up. You can run a long extended delay, causing it to resemble a strange retro ambience effect, or you can tighten it right up so that you have more of a chorusy thing. It probably should always have a bunch of pitch shift depth, otherwise it’s a mite boring. You can include dry, or just crank up the wobbly weirdness: should be nice on pads and things, or anything that has to be more dark and diffuse and unpredictable.

Speaking of unpredictable, I’d be working faster but my house got run over by a car, and my Mom recently went into the hospital with a medical emergency (back out and no worse for wear, which is more than can be said for my porch). I am going to try to keep up the pace, but it’s not been a great month for Chris from Airwindows, and I am hoping things get a little more manageable. The driver’s insurance company is going to pay for the porch but I may have to sic my house-insurance company on them, and I do have to handle all the hiring of contractors and all that, personally.

Airwindows is supported by my Patreon, which is not nearly enough to deal with any of these things going on. But I am still plugging away, and hope to soon put out the video game (now with Airwindows sound!) that I was working on much of last year, along with its code, including audio code and many other useful resources. I’m hoping that, just as I make tools for mixers, I can also be of service making tools (and experiments) for game-makers, and this might help support the Patreon.

Guitar Full Wave Rectification

I was just rebuilding an SG copy I own (Samick guitar, real bridge/tailpiece/pickups except the pickup baseplates were so worn out I had to put the Gibson pickups on Ibanez baseplates) when I discovered something. The Dan Armstrong ‘Green Ringer’ (or even a reissue, like the one I have) is far more significant to Frank Zappa’s solo tone than I’d imagined, with instances built into his famous SG and also a Strat (I think I hear this effect on ‘Watermelon In Easter Hay’), and here’s the deal…

It’s way more adaptable to any single-note-lead playing guitarist than you’d think. Or even some double-stops and chords. And it will not automatically make you sound like Frank… but it will mutate YOUR sound into a sort of hypercharged, octave-boosted version of your sound, with many similar effects. And, at least with my Samick SG and reissue Green Ringer, I can build it into the SG without routing or removing controls, and I have done. (see full post for the pictures) Read More

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.