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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

Pressure3

Pressure3 is my second try at improving Pressure, an early compressor plugin of mysterious power. It took me many years to learn the secrets of Pressure. I started to work it out when I developed PurestDrive and saw what happened when a plugin’s sonic payload was delivered in a single multiply to the otherwise untouched input data word. And I’d developed techniques like an internal 80-bit audio buss, and noise shaping to return that to the 32-bit CoreAudio buss…

Pressure3 brings all those improvements to the tone while leaving the ‘magic’ compression behavior totally unaltered from the original. It’s well worth checking out, and as with Pressure before it, it’s free.

But there’s more! Unlike the original, this one has a video demo! If the weird behavior of excessive Speed or the strange ‘µ-iness’ control have left you wondering, now there’s a video demo where these things are explained. It might take a little mind-stretching to wrap your head around a control that fades from squashy Fairchild to punchy New York parallel compression (while not being exactly either), but it’s well worth doing. And as with the best of my freebies, Pressure3 is absolutely as good tone-wise as any of the for-pay plugins, not compromised in any way. The idea is that you might find other things to also want, it’s not to make you compelled to ante up in order to get the ‘real tone’. Pressure3 is as real as they come, in its peculiar way.

Hope you like it!

Channel4

Channel4 is the Purest version of this ever-popular plugin, still free, better than ever, and with all the latest improvements! It’s still 64/32/PPC as far as what it can run on. It’s 80-bit internally like PurestDrive and PurestGain and the latest Console. It’s got the noise shaping to the 32-bit CoreAudio buss, and it has been simplified back to the original Console’s pureness of algorithm (no more tricky antialiasing schemes) except that it keeps the fix for the selector switch so you can use all the variations!

Channel4 works in three ways. First, there’s a very faint touch of highpassing, reining in the extremes of digital bass to more of what’s practical in analog circuits. This was worked out by measuring impulses from real hardware, but the application is very simple. Then, there’s a slew clipper that restricts the slew rate of the plugin. Lastly, there’s the same type of saturation present in Density, but applied in the simplest way, and then blended with the input signal as dry/wet—which means the curve becomes gentler and gentler as you saturate less. It’s this super-gentle saturation curve that people loved in Channel.

Have a good holiday! I’ll have more things coming, I’ve been busy in my little workshop! :)

AORKit

AORKit is an EXS24 sampler instrument that’s designed to work with Airwindows Console. Each sample has ConsoleChannel already applied, which makes all of EXS24 including the filters and effects run ‘inside’ Console. If you run it at unity gain with no extra ConsoleChannel on there, you get a blend between samples unlike normal sampler instruments, plus a better sound out of the filter and effect processing.

AORKit is the most practical of the EXS24 Console Kits, with useful sounds and the least in digital artifacts. It’s got a damped snare and a more open, ringy snare, and a good solid punchy kick. It can still be manipulated in all the ways available to the others. Check out the video for more.

CrispKit

CrispKit is an EXS24 sampler instrument that’s designed to work with Airwindows Console. Each sample has ConsoleChannel already applied, which makes all of EXS24 including the filters and effects run ‘inside’ Console. If you run it at unity gain with no extra ConsoleChannel on there, you get a blend between samples unlike normal sampler instruments, plus a better sound out of the filter and effect processing.

CrispKit’s got tons of very pointy sounds, sparkly Paiste cymbals, and of the kits from this era it’s one of the two most cleanly recorded: that means there’s less digital artifacts in there. It’s not perfect—the EXS filters can be used to adjust that. Check out the video for more.

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.