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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

All Airwindows Plugins Now Run Natively on Raspberry Pi

TL;DW: you heard me!

download LinuxARMVSTs.zip for the Pi
MediaFire backup of LinuxARMVSTs.zip

I’m Chris from Airwindows, and you can do this… ON A SIXTY DOLLAR COMPUTER.

That would be a Raspberry Pi 4B with 4 gigs of RAM, effectively the same as the Raspberry Pi 400 I’m using in this video. Oh… also, though the system is apparently locked at 48K sampling rate to match the HDMI audio output I’m using, these tracks are all 24/96 and are running just fine. You might get more performance than I got if you’re not using 96k tracks.

Take these plugins and put them in the VST folder that Reaper is looking at. You can either use the hidden folder that’s default (“.vst” which doesn’t relate to what suffix the plugin has: they’re still .so files, but the FOLDER starts with a period to hide it in the Linux file manager) or point Reaper to the folder you’re keeping the plugins in.

That’s it. Now you can use all the Airwindows plugins… repeat ALL the plugins, all 290 or so of them, and all new ones going forward… on Raspberry Pi, with Reaper or any other DAW that’s legally allowed to use VST2 plugins (me and Reaper have licenses for this, so it looks like we’re good to go). All the plugins, free and open source, on a sixty dollar computer (or eighty if you want more RAM, or around a hundred to a hundred and sixty if you want the Pi 400 like I have, and also want to get all its peripherals as part of a kit)

Seems to work pretty good. Tell your Pi-using friends, and there will be more where those came from. This is now an officially supported platform. :)

This happened because my Patreon let me do the much more demanding update of a few weeks ago (including crucial Linux fixes) and then go out and get a Pi to make these on. The procedure is the same as compiling the plugins on x86 Linux. But you won’t have to, just use the ones I made for you :)

Silhouette

TL;DW: Silhouette replaces the sound with raw noise sculpted to match its dynamics.

Silhouette.zip(588k)

I thought I’d let people play with the precursor to Texturize, which so far has not made it into the Patreon era of Airwindows… meet Silhouette!

I know what you’re asking. “Why does this plugin look like a busted Subaru in a snowstorm?” And the answer is, it doesn’t: I had a car crash (and did not die! And only blew out a tire, and didn’t go head-on into a truck or anything!) and the busted Subaru is from that. I’ve got it back on the road now, this time with snow tires just in time to absolutely not need them :) and that is purely a side issue and some of why I suddenly stopped constant livestreaming.

Silhouette is not a busted Subaru. It is a busted PLUGIN :D And what it was for is, playing finished music through and seeing if you could still make out a beat. It was an anti-loudness-war plugin, made long ago to illustrate that point. And it replaces the whole sound with a blast of noise which retains the dynamics of the underlying music… if there is any. Dynamics, that is.

Texturize was this, tone-shaped to match the sound of the underlying music (mostly going a lot more bassy). And Texturize proved a lot of fun for people, some of whom asked, can we have that but brighter? So be careful what you wish for. Silhouette now comes with the same wet/dry control as Texturize, so you can use it as a subliminal noise generator. But it’s ALL bright, so you have to turn it down further in order for it to ‘hide’ behind the audio. And that means it can’t really do what Texturize does: it’ll stick out.

But in sticking out, the subliminals it will generate are VERY different from what Texturize does. I’d describe it as hype and energy and tension. Be careful not to turn it up too high: it’ll be incredibly obvious anytime you do. Some sounds, some mixes, will just never work with it.

But isn’t it fun sometimes to not care about that and just try out something wild to see what it does? Silhouette finds its use in that space. I hope you like it.

In other news, though I’m not chasing the livestream thing at the moment (I can occasionally get back into that, I think, just not this last week) I’ve got some plans underway. I’m actively moving towards releasing all the plugins in Raspberry Pi compatible form (thankfully, if this works at all it’ll be a lot more straightforward than the big plugin overhaul of 2022) and have been asked to do more in the line of Evergreens content and how to get classic tones (guitar, bass, drums, keys, what have you). I believe this will be more appropriately done in edited-youtube-video form, so I will need to learn Final Cut Pro and select bands (Steely Dan comes to mind) that aren’t fighting react-channel usage so I can show people how the records are made and play original vinyl so you can hear the real mixes as they are meant to be heard. I’ll work on this, and will continue putting out plugins :)

download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.

Texturize

TL;DW: Texturize is a hidden-noise plugin for adding sonic texture to things.

Texturize.zip(603k)

It all started with snake oil… or should I say secret snake oil?

There’s talk lately of a plugin which has gotten a rather critical reception: a plugin said to put subliminal noise into the sound, to produce near-magical enhancements of tone and all good things. But you can’t hear it directly… you gotta vibe it, listen and embrace the magic, and then you’ll believe…

People were, shall we say, critical of this approach :)

Since I’m free to code what I like, thanks to Patreon and all (and thank you, all who’re pitching in there) I took an interest, and now you have Texturize. It is NOT literally this other plugin, or their patents, or the specific method by which they make the magic concealed noise that makes everything better.

But what it IS, is a riff on several previous plugins I’ve had for years and years, to produce a very similar function… but THIS one, you can tweak and you can also crank it up and listen to only the noise to hear what it’s like. Ruin the magic… but learn how the trick is worked. And it turns out it is really not snake oil at all… it’s just another thing to do with audio, and it does seem to work, and everyone making a plugin of this nature will have their own ‘take’ on it: if you like mine maybe you’ll try out the other folks’ plugin with more of that open mind, having proved that the concept is sound. Or just use mine, which is open source and free :)

You get three controls. Bright makes the effect key off high frequencies more aggressively, to the point of hyping up energy, and Punchy varies between a softer, fuller sound and a real spiky choppy effect. And then there’s Dry/Wet, the heart of the plugin, where settings of 0.5 or less are probably going to keep the noise entirely inaudible, as it’s meant to be. Not heard… but felt. And the sonic transformation’s really interesting, all the more if it’s not obvious. It reminds me of how tape flutter can bring texture to pure tones, chorusing against nearby reflections for a fatter sound, but here it’s just noise… but noise doctored to act like the music and hide behind it.

And then of course you can crank it up until you plainly hear hints of the noise… or slam it until you only hear the noise. But to actually use the plugin properly, keep things at 0.5 and don’t push Bright or Punchy or especially Dry/Wet to where it’s gone too far: tweak it on that subliminal level, turning Wet down if you need to, and see what you get.

I might well start using it. It really does seem to work. Go ahead and fool with it and strip all its secrets… and see whether you believe, too :)

download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.

Dirt

TL;DW: Dirt is a soft-clip distortion in the spirit of Edge.

Dirt.zip(611k)

In the event that you’d like a softer, tubier Edge… I’ve got you covered.

If you liked Airwindows Edge, this is a variation. It doesn’t go nearly as high gain but it’s got a much softer clip to it, and the same controls set up the same way (so highpass/lowpass settings ought to match if you want them to). My intent with it was to have a companion plugin to Edge for use with ITB guitars: I’d be using it with Cabs, but folks who need full-on IRs might try that too, or sandwiching your IR between Dirt and Cabs as a final tone/presentation tweak.

I hope you like it… and not just on guitars. In line with my current ultrasonic filtering approach, you’ll get more mileage out of this and Edge at high sample rates, but the lowpass will let you get some space between you and aliasing no matter what sample rate you’re at.

download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.

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