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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

Pressure5

TL;DW: Pressure5 expands Pressure4 with after-boost and built-in ClipOnly2.

Pressure5.zip(616k)

Yup! It’s here. Happy solstice, and welcome to Pressure5 :)

This plugin builds on 2017’s Pressure4 in numerous ways. I made it for my own use: I was mixing an album in Console7 that had to follow a previous album I’d mixed on an analog board, and I needed extensive 2-buss management and the ability to deliver a final output and control mix density across a lot of parameters measured by a meter I’ve invented (which isn’t available, it’s just for my personal use and doesn’t work properly in a releasable way). And now Pressure5 is out and you can have it!

Pressure is a compressor with some unusual controls: there’s a ‘mewiness’ control that manages the way the ratio engages. You can dial in the intensity with which it ‘dynamic inverts’ and super-squishes the audio. It’s got a very wide speed range that can go real fast for a dense, distorted sort of sound, and it’s now got an additional control that nobody else has: ‘PawClaw’. This manages the way ‘mewiness’ handles transients, the intent being to extra-squish the spiky transients on ‘Paw’ or to let them through more on ‘Claw’. It’s very subtle, but it’s there to tailor the way stuff hits the compression in an entirely unique way. I don’t think anything else has a ‘PawClaw’ control, but now you have one :)

It’s free. All this is open source and funded by my Patreon. I’m redirecting that to a more patron-numbers-oriented model and I’ve got a set of new goals for 2022 and beyond, that have to do with where I go once I do Console8: very big console emulation goals based on replicating the sound signatures of some very significant, quite unattainable consoles. Or, you can simply use Pressure5 with my blessing: the rest of what I do is all about bringing people the tools to make music (in tandem with other open source tools) freely and without inhibition. What you know and understand can be the only limit (granted, that can be a big challenge in its own right!)

The other part of Pressure5 is the output stage: Pressure5’s output control has the capacity to boost, into a built-in ClipOnly2. So it’s got that chunky, non-edgy hard clipping drive, that works at all sample rates, as part of the plugin. I intend Pressure5 to be used as a final buss comp/clip stage letting you dial in whatever you need, and then just taking the output and dithering it and being done. If you don’t want to go direct to final release, pad the output control so you’re not clipping anymore and ClipOnly2 will bypass itself like it’s not even there, serving as only a safety clipper.

I hope you like Pressure5 as much as I do. It’s built into the system I’m using as I start up music livestreaming again in 2022, and it’s been on everything I’ve done for months now. And it’s yours, too. :)

download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.

ZBandpass2

TL;DW: ZBandpass2 acts more like the Emu e6400 Ultra bandpass in motion, with coefficient interpolation.

ZBandpass2.zip(618k)

ZBandpass2 is the followup that adds coefficient interpolation to my Z-Plane Filter emulation. Which of course is not to say that I had the code, or took apart the machine and cloned the schematic: no, these plugins are about running a reference sound into the real live Emu e6400 Ultra sampler, and smashing the crud out of it to get the most out of the filters and their distinct color and behavior, and then trying to mimic that in a plugin purely by ear.

The original Airwindows Z filters run more efficiently because they’re not asked to do as much: they have the same tone but aren’t trying to smooth zipper noise and interpolate, so if you need fixed filter settings don’t overlook those. However, half the fun of a real live sampler is to get funky with it, and so ZBandpass2 follows ZLowpass2 in adding the smoothing to everything, so you can automate whatever you like. Remember it’s set up to have lots of distortion and gain on tap, keep the input and output real low if you’re not just trying to melt the thing down (0.1 will give you basically unity gain, and the output will let you pad things a whole lot if you need to)

Getting close to the end of the year! I’m excited for 2022: it’s going to be a lot better than 2020 or 2021, in a lot of ways. Looking forward to seeing you there! :)

download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.

ZHighpass2

TL;DW: ZHighpass2 acts more like the Emu e6400 Ultra highpass in motion, with coefficient interpolation.

ZHighpass2.zip(618k)

By request, here’s the followup to ZHighpass!

ZHighpass2 is the followup that adds coefficient interpolation to my Z-Plane Filter emulation. Which of course is not to say that I had the code, or took apart the machine and cloned the schematic: no, these plugins are about running a reference sound into the real live Emu e6400 Ultra sampler, and smashing the crud out of it to get the most out of the filters and their distinct color and behavior, and then trying to mimic that in a plugin purely by ear.

The original Airwindows Z filters run more efficiently because they’re not asked to do as much: they have the same tone but aren’t trying to smooth zipper noise and interpolate, so if you need fixed filter settings don’t overlook those. However, half the fun of a real live sampler is to get funky with it, and so ZHighpass2 follows ZLowpass2 in adding the smoothing to everything, so you can automate whatever you like. Remember it’s set up to have lots of distortion and gain on tap, keep the input and output real low if you’re not just trying to melt the thing down (0.1 will give you basically unity gain, and the output will let you pad things a whole lot if you need to)

Note also that I found an uninitialized variable in the previous ZLowpass2: the smoothing of the Wet control wasn’t being started out correctly. It didn’t seem to do anything but all the same I’ve fixed it: redownload it if you’re concerned, or use the updated version that’s in the big plugin collections below.

Join me tomorrow on my YouTube channel for a coding livestream and some questions: for the streaming and hanging out, would anyone like to move over to Twitch? I feel like that might be a better place for that sort of thing. I wish you could see all that goes on behind the scenes, but one thing’s clear: I need to let people in on a little more of that, I think. There can be days of work that go into little glimpses of stuff, like my take on a new way to approach breakbeats in the Bespoke environment. Might as well take it all to a platform where ‘hanging out as I slowly work through stuff in audio production’ is what people expect to be doing :)

download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.

YNotch

TL;DW: YNotch is soft and smooth to nasty, edgy texture-varying filtering.

YNotch.zip(612k)

Let’s get through the December doldrums with a new plugin and some new sounds… because Y Not? (-ch)

YNotch is the final incarnation of the Y series plugins, done to give me more experience with smoothing plugin controls. It’s got a smoothed biquad filter with more than a little extra: the Y filters all have a ResEdge control. This defaults to 0.1 (like the gain control) but it can be lowered to 0 for a softer, somewhat more organic tone… or, turned up and up and up until the filter begins to distort and act weird in very unusual ways.

This is NOT like a sampler model. It’s a whole other algorithm, putting weird edges on the way the filter resonates when the Resonance is turned up. You can basically dial in the sharpness of the edge, like with the other Y filters. But unlike the other Y filters, the Resonance control goes a little further. Not in sharpness, but in dullness… you can drop resonance down to where it’s basically an ultra-shallow slope cut, put the frequency to either extreme, and use the very first hints of the Resonance control to dial in an extreme low or high cut.

And then either soften or sharpen the hell out of the edge, to get tones that don’t really exist anywhere else. Demoed with a Moog Sub Phatty using a M32 as a spare oscillator with a different portamento speed, filter wide open so the YNotch can do all the filtering and produce a mad hybrid bass grind sound.

I can’t give you the Sub Phatty, but YNotch is free and open source and the whole thing is supported by my Patreon. I might not be able to model big expensive mixing consoles (because I can’t get them on a free plugin-maker’s income) but I’ve got a number of cool things in the pipeline, and 2022 ought to bring some pretty amazing stuff to light. :)

download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.