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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

VariMu

TL;DW: A more organic variation on Pressure.

VariMu

Thank you for your patience! Usually I keep up a rapid pace of plugin releases. Due to some personal tragedy I’ve spoken of before, I had to take a little down time, but I feel prepared to carry on as I did before.

I’ve got something nice: everybody likes yet another compressor, right? I’ve got ButterComp, Swell, Logical4, the one in CStrip, Surge, SurgeTide, Pyewacket, Thunder, and of course Pressure4. All those are free (and I’m working on getting them open source as well, but first I want to get the actual plugins out).

So clearly what we need is YET ANOTHER free compressor as we plainly don’t have nearly enough. We must run all the compressors, in a row, until everything is so compressed we can’t even stand ourselves! :D

No… there’s a non-joke reason. And that reason is, all those sound very different. They won’t all work for everyone: for instance, Pyewacket is all about retaining the attack transients of things and just stepping on the tails of envelopes. Swell is about stomping out those very attack transients until they’re all gone. Surge is about very smooth gain shifts that are totally transparent and more like an automatic gain control. SurgeTide is the same but more so, it’s almost completely unmanageable. Logical4 is about acting like a hardware stereo 2-buss compressor, and so on.

VariMu comes from Pressure, originally. What it does differently is trigger using different math: it uses the square of the input signal, not just the signal alone, and it also handles brief transients differently. This makes it sound very different from Pressure, so if you like Pressure you should try it… and if you didn’t like Pressure, you should also try it, because it sounds different.

That’s really the essence of all these Airwindows compressors (perhaps more than any other class of plugin). They’re all different algorithms, often pretty weird ones, and sound very different from each other. So you have to pick which ones fit with your type of music… but also, you don’t have to pick, because they’re all available to you for experimenting with, and if I come up with something weird and non-useful (SurgeTide comes to mind) then thanks to the Patreon I can put it out anyway, without worrying that it would kill the buzz and have people wondering if Airwindows has lost it. Even if it’s useful to just one person, I can release anything, no matter how weird.

But this time, I don’t think I’ll be making excuses like that. VariMu has a good sound to it. I hope you like it :)

Spiral2

TL;DW: Spiral with controls including Presence.

Spiral2

I will need to take a week to sort of meditate and settle my mind, but it was important to me to still be giving stuff to my fans and patrons etc. so I was looking around for something fairly easy to do. For instance, take Spiral and give it the ‘Density/Drive’ treatment, including things like pre and post gain and a highpass and a dry/wet. Busywork but nothing particularly innovative.

I think Dad would have been proud that I stumbled across something that was kind of innovative anyhow. Now I have Spiral2. It has those controls (that people really wanted: and if you set them to unity/neutral, they bypass so you can have EXACTLY the same as Spiral itself, if you like) but something else happened…

It occurred to me, if I was blending between dry signal and the sin() function saturated signal using the signal itself as the blend factor, I was just using a sample. Well, I also knew how to store a sample, and then the next time it’d be ‘lastSample’. And what would happen if I blended between dry and the saturated one… using the PREVIOUS sample?

With low frequency stuff, pretty much nothing. But what if there was high frequency stuff? What’d happen then?

Turns out, it’s a little like ‘Pyewacket’, my compressor that compresses into a ‘negative Density’ effect that lets peaks through. With that, the front of the wave is unusually pure and punchy, and there’s better articulation of sounds. With Spiral2, it lets onset transients through, especially if they’re happening suddenly out of existing silence (and bear in mind it can be only one sample of silence for it to work). It’s not a super obvious effect… but if you use Spiral to chop off peaks, and add this new effect (which I could only call Presence) then you can get quite the opposite effect: at full Presence, it sounds like everything’s being distorted but the meters show how onset transients are still getting through.

If you set it halfway, it becomes very close to peaking at exactly 0 dB. If you set it to 0 you get the original Spiral (note that it still has the ‘continuing around the sin() curve’ effect so if you over-slam it, it’ll choke and go quieter).

So, I wanted to do something nice for my peeps since everybody has been so kind and supportive. Turns out my muse thought that was the sweetest intention ever, and really came through for me. Enjoy Spiral2: you’ll find that Presence is quite a striking effect. I think in extreme cases it’s TOO much air, but that’s why it’s on a slider, which is really just a crossfader between the two ‘circuits’, normal and with the one sample delay on the ‘sense’ circuit.

See ya soon, and I hope you like Spiral2. If you would have dropped $50 on this without a moment’s hesitation once you hear what it can do by trying it, please do that using the Patreon. I’m looking to keep expanding and be more ambitious, if that’s OK. It’s more fun being ambitious with a budget, and food and shelter and stuff :)

StereoFX

TL;DW: Aggressive stereo widener.

StereoFX

Here’s the last plugin I had in the pipeline, ready to post: no reason not to take the effort to post it now. Thank you all for the well wishes: I’m really touched, you’re all so sweet I can hardly believe it’s the internet :) (but then, people might well say the same about me!)

StereoFX is a classic Airwindows plugin brought up to date and VSTified: it does three things that can contour the stereo image. None of them are as well behaved as Wider, but they’re interestingly different.

Stereo Wide basically runs the code from High Impact on the side channel. It gives a really aggressive widening effect (which will cancel in mono of course) and can bring an edgy quality to the wideness of your stereo channel.

Mono Bass is simply a highpass on the side channel: adjust to taste, by ear. It’s a very simple highpass, not that steep.

Center Squish is a neat twist on ‘widening’. Instead of touching the side channel, it does a simple sine-based saturation or distortion (Density style, not Spiral style) on the mid channel only. If you engage it, it progressively steps on the output of the mid channel but leaves side untouched. That means you can squash a stereo track slightly, giving it a little distortion, and let it squirt out to the sides a bit. You can combine this with a touch of the Stereo Wide, which works on a different algorithm. So it’s some unique tone colorings and techniques to serve the purpose of stereo widening. I hope you like it.

I got a new video light (well, a $30 lightbox to go on one of my existing LED lightbulbs) so I’m kind of excited to make more videos and stuff, and I’ve got a backlog of plugins to try, but understandably (see the DrumSlam post) I’m a little distracted. I want to bring my best for you guys but I also want to honor your kind wishes, so I will post StereoFX and then see if anything comes to mind that I can do, if not immediately for the end of July, then early August: I am also doing the occasional music livestreaming and find that I can express my feelings that way, even if it’s ‘skronk guitar over techno’. So I won’t try and force the plugins (they won’t run out, I promise) and soon I’ll be back in the swing of things. Oh, and the Patreon is doing OK, I won’t worry about that right now but that too is appreciated. If not for that, I wouldn’t have been able to go and support my sister when all this went down, because it made me able to drop everything and zip off to Pennsylvania: without the Patreon, I would struggle to have that much gas covered, and I wouldn’t have been free to go right then, and then I wouldn’t have seen my Dad alive for the last time. So I owe you guys things that can’t be expressed in software or money: thank you.

DrumSlam

TL;DW: Heavy-processing tape modeler.

DrumSlam

So this is not a sad plugin but it’ll be sort of a sad post and I may as well do it anyway: I’ll keep it brief and to the point, and it’s kind of relevant to the Airwindows plugin release schedule.

First, the plugin: this is DrumSlam. It was originally meant to sound like Massey TapeHead. It’s sort of a multiband tape emulation/distortion, and it didn’t end up sounding like TapeHead but it does have a sound of its own: all the more since it’s a technique I don’t normally use (multiband stuff rarely makes sense to my ear). I see it as an effect plugin more than general purpose, but as always I’m not the boss of you and you can use it however you please. It’s open source, so you can also use the code or do variations on it: all you have to do is credit that you’re using Airwindows code, and you can even charge for your own DrumSlam-based plugin provided you make the credit clear: in fact, since it’s not the ‘advertising clause’ version, you get to cite Airwindows and suggest that it makes your plugin sound special: if you ask, I’ll help you make that be true. I just don’t take personal responsibility for the sonics of plugins that use ‘Airwindows Open Source’ in their promotion, because there are still ways you could screw it up cooge if you’re also open source, I’d be able to look at the code and give my opinion on whether it’s maintaining the integrity of the input data.

So that’s DrumSlam. Try it, slam it, do stuff with it, it’s simply another type of tape emulation done somewhat Airwindows style, and it’s got its own sound that you might like.

Also, this is my Patreon, if you find these plugins indispensable please join it at the rate of however many plugins a year you think you’d be buying from me if they were sold at around $50 each, perpetual license complete with source code. It’s kind of a bargain, and the opposite of DRM: in soviet Airwindows, your rights manage me! cooge

Now, over to my status report. I think I’m going to be able to keep up my plugin releases at least through StereoFX next week and probably won’t even have to skip a week but it’s possible I won’t be able to focus, or I might derp some of the releases and get them wrong and have to fix them, like with Console5 last Xmas. Apology in advance, if so. The reason is the same as it was then. Last December 6th, my Mom died. She’d kept me from starving when I was starting up the Patreon, and I owe her everything. After that, January 23rd of this year, the cat many of you have seen in videos (my last cat since the other one got hit by a truck the year before) died. She was very old, and around 3 AM that morning she fell down and no vet office was open at 3 AM and I just cuddled her and was with her as she died, which was all I could do (I couldn’t have afforded veterinary care at the time anyhow, I was living on $858 a month from the Patreon). So it’s been a lot of loss around the turn of the year.

So, three days ago, Thursday July 5th, my Dad died. I’d got word he was in the hospital (he was VERY old and feeble) and I tore ass down to Pennsylvania to see him: he’d fallen and hurt himself and was unresponsive (like me, he lived alone and got a lot out of being in his home, his final years were good). This was the price of that freedom: he’d hurt himself at a time when nobody would check on him for at least half a day. Once in the hospital, he came to for long enough that my sister got to speak to him, and he was grateful to see her. But then he took another downturn, they resuscitated him, and had to do it so fiercely that it harmed him further. I did see him but he was mostly gone by then, was with my sister as the doctors broke the news that they couldn’t safely keep rescuscitating him, and we told them that in that case it was clear: keep caring for him, but there was nothing more they could really do. Roughly an hour later he passed on.

If I’m demanding of myself he’s part of the reason why, for fair and foul reasons. This was a guy I couldn’t really give gifts to: he was a brilliant scientist in his day, and there were no emotional things that didn’t go through that rational filter so if my gift wasn’t perfect he’d be openly unhappy with it. There was an exception: I’ve painted and cartooned and stuff like that, and he valued those things more than I do, and in his declining years I even drew some comic strips just for him. Maybe I’ll scan them now and put them up somewhere as a memorial of the only thing I could do that he uncritically loved. That sounds dark, but there was more to him than only that. When I was tiny he used to indulge a fierce and violent temper, and Mom got him to stop it… and he did, some of my siblings never saw that in all their lives. He was sad a lot of his life, but he was also the Dad who literally built our childhood television set from a Heathkit electronics kit, so I grew up playing Atari 2600 games on the TV my Dad had literally built from parts. To a nerd like me, that is awfully cool. He was a hard act to follow and a hard man to please, and though it was sometimes a rocky path I know that I was able to be supportive in his final years, and the last time I saw him alive and aware, I hugged him and I meant it… and he hugged back.

I think I’ll be able to keep the Airwindows release schedule going without missing a week. I think he would respect me wanting to do that: it’s the sort of thing he would do. Also, there’s nobody much left to DIE anymore now that my parents and my cat have gone, so at this stage it’s time to just keep doing what I do, and that’s what would please me and would’ve pleased them.

Well, not the cat. She would have demanded cuddles. But I was good for those, too.

Love you guys, and I will try not to put out any awful buggy derps of plugins, but fair warning in case I do: it’s been sort of a difficult half-year. It ought to start getting better, I feel I must be through the worst of it and I’m still here and will be OK. <3

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