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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

PurestWarm

TL;DW: Subtle tone shaper and warmth adder.

PurestWarm

Because my Patreon was over $700 this last month, we get a special extra plugin this week.

PurestWarm is a little bit like PurestDrive (anxiously awaited by quite a few people) but not quite as sophisticated… however, in its simplicity is part of its usefulness. It applies an Airwindows softest-possible-saturation effect (like what you can get out of Density, or Channel) but it’s polarized: you pick which side of the waveform the saturation applies to. For the other half of the waveform, it’ll pass through the exact bits that came in. So it’s half a plugin: I’m not sure there’s ever been anything quite like that, on one half of the wave a full Airwindows (noise shaped to floating point) ultra-quality saturation, and on the other half of the wave, ‘bypass’ and literal bit-identical pass-through. I made sure even the noise shaping wasn’t applying for the ‘bypass’ half.

The result is this: waveforms that need a little sweetening, can have that texture (not frequency or EQ, texture) subtly added to the track, in a way that utterly and totally maintains the integrity of the signal. In some ways this is ‘purer’ than any of the other Purest line, since by its nature it’s true bypass for literally half the time. It’s also one of the minimal ones, with just a switch: there’s no way to get the perfect integration of bypass and effected halves (they switch off like a push-pull power amp) otherwise, and it produces an obvious enough effect but one that’s harmonious and doesn’t get in the way. In some circumstances it hints at being like a ‘bass optimizer’ since it’ll push some second harmonic by its nature. You’ll probably find that for any given sound (especially an electric bass guitar) there’ll be one polarity that’s clearly better: I think for basses where the string swings near the pickup and produces extra voltage on that side of the wave, PurestWarm will saturate that side of the wave really well and it’ll give you an ideal bass tone with no extra fiddling or processing required.

It’s going to be a good holiday season, I have nice things in store. If you would like ME to have a good holiday season and you’re not already hooked up with my Patreon, consider it like a sort of ginormous sale: for years, I sold these plugins at $50 each to Mac Audio Unit users only. Now, I’ve got ’em coming out in great profusion, dozens and dozens and all manner of new things and PC VST too, and if you were to join the Patreon at $1 a month, that’s $12 a year, the equivalent of buying one every four years. Except you get to use them all with my blessing. If you wanted to treat it like you were buying one of the plugins each year (and still getting to use them all) you’d pay $4 a month, $48 a year, and it would still be two dollars off from what they used to cost. I’m more interested in having people give what they can, though, because I know what it’s like to be fussing over a dollar a month: right now, it’s me in that position, so obviously I understand better than anybody.

However, there’s a special kind of wealth in being able to generously give to the community that’s found a place for me and appreciates my coding (if not my music! :D ). I hope you like PurestWarm, and there’s a lot more where that came from. And we’re going to have a fun holiday season, let me just say :)

HermeTrim

TL;DW: Very Fine Adjustments.

HermeTrim

If you’ve seen EveryTrim, you know how this works: it’s the all-possible-trims trim. +- 12dB of left, right, mid, side, and master volume. By request, and a handy little tool for all manner of stereo tweaking. It’s very nearly as clear and accurate as PurestGain, which itself is very nearly as accurate as BitShiftGain (and most people will find any of these more than acceptable, because this is uber-pickiness land and none of you are likely to be able to tell these from your standard utility gain plugin from your DAW, ten out of ten. I just know I’ve implemented mine with extra rigorousness)

Thing is, the person who’d requested this is the same one who requested Hermepass… and in this case, I fumbled it a bit. On many DAWs, and all my Mac Audio Unit stuff, you can hold option to get tiny fine adjustments. But my user with the enlightening (and accessible) requests isn’t using a host that can do that… and needed to have much, much finer adjustments on tap.

So, now Hermepass has a companion, HermeTrim. This is exactly the same as EveryTrim, only it’s 1.5 dB plus and minus. It’s more a mastering tool: make tiny little tweaks to get the master just right. EveryTrim will sound just as good, but this one’s geared towards non-mixing purposes. Hope you like it.

Also, it’s a chance to test out a different view of Airwindows for an interesting reason: I am gearing up to do a music-making stream where I dig into some of my inspirations, and try to come up with a new sound for things. When I say inspirations, I mean ‘analog gear’, and I’ve built up a studio setup that might shed some light on why I do plugins the way I do. If my plugins enter into this, it’ll be hosted in Renoise most likely: it’s been months and years getting all this up and working, and the studio mix runs through the Magneto-Dynamic Infundibulator before being sent to Twitch… where I will be live (at some point), at
https://www.twitch.tv/jinxtigr/

I will not be offended at giving live support for Airwindows stuff on such occasions, though I might be preoccupied with trying to get twin Bastl Kastles to patch into strange places on twin Xoxboxes. I did say that I was into the analog thing, and I think this preoccupation will lead to some cool-sounding techno-prog weird music. Might even play an instrument or two :)

NC-17

TL;DW: Dirty loud!

NC-17

This one needs little introduction, but it’s been a Mac-only secret so I will introduce it anyhow :)

NC-17 was designed as the loudenator-killer. It uses the same technology as ADClip’s energy redistribution stuff, but on a soft-clipper, and instead of just feeding the energy back in, it uses it to modulate a Chebyshev filter: sort of complicated, but it’s definitely one of those Airwindows things. First to use such a soft clipper as the primary loudness maximizer, and secondly to use such a weird technology after it. Why a Chebyshev? To produce second harmonic. Why do that? To feed deep bass back in despite the loudenating. Okay, so the whole idea is pretty strange.

What happens?

Firstly, the whole tone changes, whether you’re pushing loudness or not. Check that first. You might immediately dislike the result, or if you seek ‘glue’ maybe you’ll like it, or use it to replace some other ‘glue’ effect. If you’re still with NC-17 after checking that, proceed to turn it up (or mix hotter into it). You’ll find no specific ‘break point’: instead, it just gets dirtier and dirtier the harder you push. The whole texture of loudness dynamics is altered, so you get the loudness cues of distortion but with a bass foundation mere distortion won’t permit, and a continuous spectrum between ‘more or less clean’ and ‘impossibly too loud’.

This one will also handle cleaner synthesizer tones, EDM, the kinds of sounds that reveal the artifacts of other loudenators ruthlessly. With NC-17, instead you get a slight ‘grungening’ but then it refuses to break up in the normal sense, just stretches to fit. (this one might be the one you want on drum submixes, too)

There’s nothing quite like it, and now it’s Mac and PC VST, and free.

By free, I mean that it’s supported by Patreon. I’m happy to say that this month we got back up above $700 (it might not look like it but that’s what they sent me, so it counts) so there will be an extra plugin from the list (with total sales under $700). Next week we’ll have the ‘1.5 dB’ version of EveryTrim (aka HermeTrim, for a supporter who asks for stuff I can do :) ) and then I’ll find something nice off the list to include.

The next goal after that is open source (I sincerely hope I can get the LinuxVST working by then) and I expect the Patreon to get there somewhere around the New Year. Help that happen by spreading the word in an informal sort of way, about all this! Keep it appropriate, but remember: I don’t advertise, spam, or bug people, so word of mouth is the only way this works. It doesn’t work nearly as well as bugging people, but it does work in its way, and that way is my way :)

Thanks for being there for me, and I hope you enjoy NC-17!

EveryTrim

TL;DW: Left/Right, Mid/Side, and Master in one plugin.

EveryTrim

This one’s by request: while I was getting NC-17 ready for its big day, I thought I’d bring out a nice little utility.

EveryTrim is like PurestGain only more so: it is very simply every basic stereo trim you can have (in loudness terms, anyhow!) You get left, right, mid/side, and a master level control. It works on stereo tracks only, as mid/side is meaningless without stereo.

It’s also efficiently coded, suppresses denormal numbers, and uses the same noise shaping to the floating point buss you get in PurestGain. If you need a nice basic gain trim that does all those things (and nothing fancy: Wider is much more sophisticated, and I’ve got an idea for a still more sophisticated stereo-widener plugin that is in the works) then EveryTrim will come in handy. Begone, dull pan-pots! EveryTrim will also be simpler than using EdIsDim and MidSide just to adjust mid/side balances: while you can do that with that pair of plugins, they’re really for doing processing between them using another plugin (any plugin, doesn’t have to be M/S). With EveryTrim, you can tweak mid and side levels directly, in a more obvious way.

If you like getting handy free plugins from me… or if you like the way my plugins support back to Win7 and earlier, and MacOS 10.6.8 and earlier (while still working on current platforms), you should support my Patreon. I’m operating outside the normal plugin market by doing this, but the better it does the more I’ll be capable of, and the more fancy plugins I’ll produce. If I can stay over $700 when next month begins, I’ll pick another plugin from the bottom of the big ‘Kagi Shareware List’ in addition to putting out NC-17. If I get over $800 I’ll begin open sourcing these plugins… and I’m still working on getting the Linux build to work. It’ll be an .so file, and when those become possible I will update every plugin I’ve made VST so far, to be also LinuxVST. (if anyone’s building LinuxVSTs, I’d love some pointers!)

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.