Verbity2
TL;DW: Verbity2 adds stereo crossmodulation and expands Verbity’s feedforward reverb topology.
Firstly, listen. Verbity2 might beat Galactic, for you, for deep reverbs. There are specific reasons why that might be. Listen and see if Verbity2 is the best reverb you can have… because you can have it, it’s open source plugins supported by Patreon. If you can’t do without it, you won’t have to, it’s yours. If you would have paid for a reverb this good, throw an additional $50 this year onto my Patreon, and we’ll see if I can make another plugin by the year after that, working on these as my full-time job.
So, how is it different from Verbity? You do still have Verbity, after all.
First, Verbity2 is an expansion. These are what’s called Householder matrix reverbs, with a feedforward topology. Verbity, and Galactic, and Chamber, use blocks of reverb elements all of which feed directly into all the other elements, in a four-by-four matrix. A Householder matrix that’s four-by-four lets you do infinite reverb while having all the elements either be unity gain, or inverted unity gain, and all my Householder stuff thus far has been like this.
Until now!
Verbity2 uses a five-by-five matrix for each stage, and where Verbity has three banks of matrices, Verbity2 has five banks of matrices. So where Verbity uses its twelve echo banks to make four thousand distinct echoes… Verbity2 uses its twenty-five echo banks to make NINE MILLION distinct echoes… before feedback. That’s not automatically ‘better’, but it’s different, like more than three orders of magnitude different. That’s going to affect the reverb texture.
About that feedback… there’s a change. So, Galactic is stereo: it applies a subtle offset vibrato to both sides on input making mono things stereo (come to think of it, would anybody like this as standalone?) and then it feeds back in a ping-pong fashion for maximum width from any source. All left reverb has to go through the entire right reverb in order to reach the left again.
Verbity is the opposite: dual mono. It was designed from the start to be an ambience-maker, filling out space around individual elements wherever they are in the stereo field. People used to buy dual hardware reverbs specifically to do this in mixes: it’s a secret mix trick, putting the verb only where it’s needed. That’s what Verbity does. And if you use NO feedback at all, Verbity2 will still do this.
But if you extend the reverb tail in Verbity2, it’s a hybrid. For each channel, two out of three of the output echo banks will stay put, and three will cross over. Half stereo spread, half keeping stuff where it is. For very long reverb tails this will always end up as a totally stereo wash. For really short ambiences, it’ll act dual mono. But for moderate reverb tails, what happens is that you get a giant room picture behind your sounds. Stuff on one side blooms out, then washes across to the other side, and back again. I’m looking forward to experimenting with this for future designs :)
There are also adjustments to tone control: the Darkness control is replaced with a control for Mulch. This is meant to be a kind of naturalness factor: Verbity, like Galactic, tends to hang on to thunderous bass, as if it expands into huge caverns. Mulch means the sound can darken, but it can also absorb some of the extreme lows, mimicking a physical room made out of wood and plaster, not stone or concrete. I should be able to expand on this a lot.
So Verbity2 is a new level of reverb realism from me. Looking forward to further developments of this!
Oh, one more thing: thanks to baconpaul of the Surge Synthesizer project, you can now download a VCV Rack module with ALL the Airwindows effects in it. The one I use (for Apple Silicon, used with the Apple Silicon beta of VCV Rack) is 1.3 megs in size. It has literally all the effects in it, well over 300 plugins in a download a little larger than just the signed audio unit for just PocketVerbs (I exaggerate: it does omit CStrip and Pafnuty as they had too many controls, and I’ll work on new versions of those). We’re going to use that technology to expand the CLAP version and maybe other things as well, and each week Paul only has to press a button for his scripts and systems to bring in each new plugin as I make it.
Open source, y’all ;) it means your results can be equal to, not each programmer added together, but each programmer multiplied by each other, much like how Verbity2 went from four thousand echoes to nine million just by doubling the amount of workload. See ya next week, and keep an eye out for a quick little Monday coding stream later this morning.
download StarterKit.zip for just the basics
download 64 Bit Windows VSTs.zip
download Signed M1/Intel Mac AUs.dmg
download Signed M1/Intel Mac VSTs.dmg
download LinuxVSTs.zip
download LinuxARMVSTs.zip for the Pi
download Retro 32 Bit Windows VSTs.zip
download Retro PPC/32/64 Mac AUs.zip
download Retro PPC/32/64 Mac VSTs.zip
Mediafire Backup of all downloads
All this is free and open source under the MIT license, brought to you by my Patreon.
Thanks again for another simple, non-cpu chewing up and spitting out and vastly effective Airwindows plugin…
offset vibrato to both sides on input making mono things stereo (come to think of it, would anybody like this as standalone?)
Yes, please.
Namaste and Blessings
Cleve
Good to see you’re back!!
And thanks for Verbity2. It sounds great really.
Chris, any idea when you could do that sampler emulation plugin from that sampler you bought some time ago? Really looking forward to that one.
Thanks again for your hard work and all the best!
Yay. You are back. Great news. Galactic is my favourite airwindows reverb. Verbity 2… I will try it :D
The triumphant return of Chris!!! WOOO!!!
As for “come to think of it, would anybody like this as standalone?”, a THOUSAND times yes :D :D
Hi Chris
moving the rmSize knob introduces noise during the process. Can this problem be corrected?
Great plugin!!!!
Hi Mr. Airwindows,
First of all, thanks so much for all your great and generous work.
I like Verbity 2 very much. The concept is great. However there is some audible resonance in the reverb signal as if a snare drum is resonating along with the reverbed signal somewhere in the back of the room. It’s not very loud though disturbing enough for me not to use Verbity 2 yet while mixing.
Further I would love to have some Haas effect at the input stage which has an on/off switch and that can be adjustable between 0 and 32 ms? I tried this out in my modular system and I loved the result.
Thanks!
Greg